The Compressor Threshold Trap
Your threshold sets the signal level wherever your compressor will begin working. The threshold is the level that the signal should rise above for the compressor to start to work. A reduce compressor threshold usually means a larger portion of the audio is going to be compressed and a greater compressor threshold usually means that only the peaks of the audio is going to be compressed.
Type of Compressor Threshold
Utilizing compression in your mixes is essential and you have to utilize it right. It begins to kick-in slightly below threshold and is fully activated if the signal continues above threshold. Multiband compression or expansion for the sidechain can be challenging to receive your head around, but don’t forget that whatever you do to the sidechain will probably have the opposite effect on the total compression.
In simpler terms you’re able to consider a compressor as an automated volume control. Compressors designed to deal with mixes are often referred to as buss compressors since they are typically inserted across a stereo buss, instead of a single channel. They take the parts of the signal above a certain threshold decibel level, and reduce their amplitude by a set ratio. By way of example, the 1176 FET Compressor is among the most critical compression sounds in music, and I was incredibly excited to receive my hands on an excellent software emulation.
New Ideas Into Compressor Threshold Never Before Revealed
Compressors arrive in various distinct flavors. Some compressors enable you to correct the compressor’s attack. Then tweak settings so the sidechain compressor has a slower attack than the major compressor.